Monday, January 3, 2011
A Beach Tail in Winter becomes a Winter's Tale
Tuesday, December 21, 2010
Holiday greetings
I’ve been meaning to email you for months, but life has gotten in the way. During this holiday season, I’m trying to say thanks to people who have impacted my life in some way, so here I am finally emailing.
When I discovered your books I was so excited. I checked every one of them out of the library and read them with my kids (8 and 5). As a person who has lived and traveled in developing countries, your books touch on so many issues that are near and dear to my heart. They are the kind of books I try to write and aspire to have published some day. Thank you for being a role model for me.
Last summer, I posted about A Beach Tail on my blog. I thought you might like to read it. I’m sorry I didn’t send the link to you before now. http://michellecusolito.blogspot.com/2010/08/beach-tail.html Thank you for writing the lovely text that inspired Floyd Cooper’s wonderful art.
Happy Holidays.
Sunday, December 12, 2010
Beatrice's Dream Pub Date in February
Just got my first copy of BEATRICE'S DREAM in the mail yesterday. It has been a long time coming. I worked on this book while I was in Kenya in 2003 with photographer Wendy Stone. I spent a week following Beatrice around the huge slum, Kibera. This is where she lives, goes to school and visits with her friends. But Beatrice has a dream and this lovely quiet girl is a young woman now on her way to making the dream come true. Sunday, November 21, 2010
Fall on the Mesa
Well into autumn in Chinle with some warm sunny days and cold evenings and mornings with occasional wind storms that blow red dust across the land scape and leave me with grit in my teeth and eyes. Dark comes early but the rose and indigo sunsets that fill the sky are worth the early nightfall.
Monday, November 8, 2010
The Sky is my Ocean
The sky is my ocean, the mesa my beach...... So the high dessert is becoming home.
Ages 3-6 Drawrite blog
I pick books the way most children would – by looking at the cover. Children are extremely perceptive. They notice, observe and pick up faster than most adults. I think books done for them have to be especially mindful and thoughtful.
One such book is ‘A Beach Tail’. It is about a little boy, Greg, who draws a tailless lion on a beach and calls it Sandy. With specific instructions from his dad to not go in the water and to not leave Sandy, he draws a tail. He draws and he draws. He circles a jellyfish and passes a sand castle; he zigzags around a horse shoe crab and around a tiny ghost crab; he writes his name and realizes that he has gone too far. Yet, he didn’t go in the water and he didn’t leave Sandy.
Written by Karen Lynn Williams and illustrated by Floyd Cooper, the spirit of the story is wonderful and the pictures, stellar. This is probably one of the best examples of pastels work I have ever seen!
AND I WOULD ADD, I LOVE THE WAY FLOYD HAS CAPTURED THE FEEL OF THE BEACH. SAND EVERYWHERE. Oh yes the Beach. Here in Chinle, red dust dances in little dervishes across the landscape.
Wednesday, October 20, 2010
A Beach Tail from the Mesa
Book Review: A BEACH TAIL
A Beach Tail written by Karen Lynn Williams, illustrated by Floyd Cooper
Boyds Mills Press, 2010
Recommended for ages 3 to 5
Gregory and his dad are spending the day at the beach together. Swish-swoosh, up lap the waves onto the sand. Gregory draws a Sandy Lion, with a full mane, four chubby legs, a happy face. His father gently reminds him of the beach rules; “Don’t go in the water and don’t leave Sandy.” On the pages that follow, Greg draws in Sandy’s tail which leads him down the beach, past a purple jellyfish, a sandcastle, a horseshoe crab, and other amazing discoveries on the sand. While getting further and further away from his father under the blue umbrella, Greg never goes in the water and the growing, twisting, curving tail ensures that he never leaves Sandy.
Cooper’s art is gorgeous. Using pastels in beachy taupes, browns, soft purples and blues, he creates a textured effect that defines both the setting and the main character. In this way, the environment and the boy are visually united. Greg and his surroundings are rendered in a subtle soft-focus, which when combined with Cooper’s ability to create a breathtaking balance of shadow and light, lends the overall experience an almost tactile, sensual quality.
There is a double-page spread that features Greg leaning down to inspect a new creature. His face tilts up to look toward the viewer. Sunlight reflects off of the top of his head and is captured twinkling on grains of sand stuck to the side of his chin. There is a slight blending between the borders of Greg and the sand around him, which reminded me of Peter McCarty’s luminous Hondo and Fabian books.
I loved how child-focus the story and art remained throughout A Beach Tail. I know a mom who was initially concerned about a young child being portrayed as straying so far from his parent (and so close to the dangerous ocean.) As a parent, that must be an unsettling, even terrifying, feeling. For the child reader, however, this bit of brief independence and even slight mischievousness (Greg definitely knew he was pushing the limits of his father’s second rule) is where adventure happens. It is only by breaking away from his dad that Greg can indulge his curiosity and discover remarkable creatures and objects on the beach. And yet, he is still tied to the security of his father through Sandy’s tail.
This perfectly balanced depiction of independence and safety is exactly what so many preschoolers and kindergartner’s crave. They want to be a big kid and have adventures. But, it is still important to know that their grownup will be there at the end of the day to welcome them home and keep them safe.
Friday, October 8, 2010
Mesa Musings
What they say:
(just don’t hit a cow).
